California State University, East Bay Signature Mark

Theatre Arts

Department Information

Department of Theatre and Dance
College of Letters, Arts, and Social Sciences
Office: Robinson Hall 220
Phone: (510) 885-3118

Professors
Thomas C. Hird (Chair), M.F.A. University of California, Los Angeles
Rhoda Helfman Kaufman, Ph.D. University of California, Berkeley
 
Associate Professors
Marc Jacobs, M.F.A. California State University, Long Beach
Darryl V. Jones, M.F.A. The Boston University School of Theatre Arts
 
Assistant Professors
Ann Fajilan, M.F.A. University of California, Davis
Nina O. Haft, M.F.A. University of Wisconsin

Eric Kupers, M.F.A. University of California, Davis

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Program Description

The Department of Theatre and Dance provides comprehensive pre-professional training in the areas of acting, directing, dance, design, theatre technology, and musical theatre. The primary goal of the program is to develop artists whose performance skills and creativity are supported by a firm background in history, literature, and aesthetics. In an environment designed to encourage creativity and self-expression, each student has opportunities to participate in various specializations within the major--acting, costuming, dance, directing, scenery, lighting design, or management. Students perform regularly in a variety of theatre and dance productions.

Theatre Arts graduates acquire a range of skills. This enables them to pursue different professional options. Many have entered advanced studies in nationally recognized universities and conservatories. Some have chosen careers in teaching, while others have gone directly into theatre or dance performance. Employers in other professions desire Theatre Arts graduates for their team skills, their imaginative approach to problems, and their ability to communicate creatively.

Student Learning Outcomes

Students graduating with a B.A. in Theatre Arts from Cal State East Bay will be able to:

  1. communicate in writing, orally, non-verbally, and visually in their area of emphasis.
  2. conduct background research, evaluate scripts, and analyze performance for use in scholarly and performance applications.
  3. use a foundation in historical, contemporary, and cultural performance techniques and production technology appropriate to their area of emphasis.
  4. reflect on performance techniques and concepts of other performers and apply high standards of reflection to their own production work.
  5. solve problems of production by creating roles, dancing, designing, managing, building, directing, or choreographing performances that address issues of life in striking and remarkable ways.

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Career Opportunities

  • Actor/Actress
  • Broadcast Technician
  • Business Agent
  • Choreographer
  • College Student Services
  • Comedian
  • Corporate Officer
  • Costume Designer
  • Costume Technician
  • Dancer
  • Director
  • Drama or Dance Teacher/Professor
  • Dramaturg
  • Lighting Technician
  • Make-Up Artist/Specialist
  • Non-profit Manager
  • Performing Arts Fundraiser
  • Playwright
  • Producer
  • Recreation Supervisor
  • Sales Manager
  • Set Decorator
  • Set Designer
  • Sound Technician
  • Stage Manager
  • Theatre Critic
  • Theatre Technician
  • Theatre Manager

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Features

The Department of Theatre and Dance produces approximately 5-8 plays and dance concerts during the year (including summer). The selection of plays exposes students to design, acting, dance, singing, directing, stage management, and technical theatre suitable to a wide variety of styles, periods, and genres from Shakespeare to American Realism and from Greek Tragedy to Modern Drama.

The department has several ensemble groups, including Musical Theatre, Dance, Acting, Inclusive Interdisciplinary, and Design/Technology, that add to a varied and challenging performance schedule. 

The Highlands Summer Theatre program is designed to give students a chance to test themselves and their art. The fully functioning theatre environment provides the opportunity to experiment with a career choice, a proving ground for the artist-in-training where skills can be developed and refined. All company members register for the 8-16 unit Summer Theatre courses. Since 1990 sixteen department productions have toured to the Edinburgh Festival Fringe in Scotland and three other countries as part of the summer program.

The Theatre and Dance Department is fortunate to have excellent facilities including the 480 seat University Theatre, scene shop, costume shop, a twelve-station desing/drafting studio with a separate digital lab, two studio classrooms, green room, make-up room, dressing rooms with lockers and showers, and a spacious Dance Studio.

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Major Requirements (B.A.)

The Theatre Arts major consists of 75-110 units, depending upon whether or not students choose an option. The Theatre Arts major without an option consists of 75 units. The B.A. degree requires a total of 180 units.

  1. Beginning Electives (16 units)

    Complete three show assignments (6 units) in the first two years as follows: three Production and Performance courses (THEA 1490 through 1499 and THEA 2490 through 2499) as defined by the Subject Area Course List.

    Complete ten units in ONE of the following areas of emphasis: Dance, Acting, or Technology and Design. Unless specified, courses should be numbered below 2999, and listed in the Subject Area Course List.

    1. Dance (10 units)

      Five Beginning or Intermediate dance technique courses (5) (Limited to Ballet, Hip Hop, Modern, Musical Theatre, or Jazz)

      One course (2) from

      • THEA 2061-63 Musical Theatre Show Choir A-C

      Three technology and design courses (3)

      • THEA 2422 Costume Technique
      • THEA 2423 Lights: Hanging and Focus
      • THEA 2424 Sound: Recording
    2. Acting (10 units)

      THEA 2031-2032 Stage Voice A, B

      One course (2) from

      • THEA 2061-63 Musical Theatre Show Choir A-C

      At least three units (3) from

      • DANC 1191-93 Beginning Ballet
      • DANC 2120-25 Musical Theatre Dance A-F

      Three technology and design courses (3)

      • THEA 2422 Costume Technique
      • THEA 2423 Lights: Hanging and Focus
      • THEA 2428 Sound: PA
    3. Technology and Design (10 units)

      Five technology and design courses (5) from

      • THEA 2421-31 Fundamental Backstage Technology

      THEA 1020 Discover Acting (3)

      Two units (2) from

      • DANC 1191-93 Beginning Ballet
      • DANC 1141-43 Beginning Modern
  2. Common Core (30 units)
    • One lower division THEA or DANC course (see the Subject Area Course List (SACL)) (4)
    • DANC 3251 Movement Analysis (4)
    • DANC 3252 Dance Through the Ages (4)
    • THEA 3253 Theatre Through the Ages (4)
    • THEA 3254 Scenery, Lighting, and Sound Concepts (4)
    • THEA 3255 Costumes and Makeup Concepts (4)
    • THEA 3256 Directing: Text to Stage (3)
    • THEA 3257 Design for Stage (3)
  3. Advanced Electives (19 units)

    Theatre History and Literature Elective (4 units)
    One additional course in Theatre History and Literature (or) Dance History. Students who intend to complete the Dance Option should take DANC 4201.

    Advanced Technique Elective (6 units)
    Two additional courses in advanced technique. Take courses numbered 3000 or above in ONE area of emphasis: Acting, Dance, or Technology and Design.

    Production and Performance (9 units)
    At least three Production and Performance courses, numbered 3000 and above, covering at least three show assignments during the final two years.

  4. Culmination and Assessment (10 units)

    Each student must complete a Senior Culmination Project to include either a performance project in the Senior Festival, a written thesis, or a substantial internship. Students may substitute internship credit or thesis-related Independent Study credit for their Senior Festival courses.

    • THEA 4151 Senior Festival Preproduction (3)
    • THEA 4152 Senior Festival Performance (3)
    • THEA 4155 Career Management Issues in Theatre Arts (4)

Options (13-35 units)

An Option is not required. Options provide the opportunity to explore a specialized mode of theatre arts beyond the level of the basic emphasis required to graduate. Options allow sufficient depth of study to prepare for graduate school or entry-level work in a semi-professional company and involve additional work beyond the major requirements listed above. The department's graduates have found work in professional nonprofit companies after completing an internship as part of their CSUEB program. The additional work required for an option will prove useful in obtaining a quality internship or graduate school placement, so we recommend that students complete most of their option before seeking an internship. Acceptable courses are listed in the Subject Area Course List.

  1. Acting (20 units)
    Total major units with this option: 95.
    • Complete the B.A. Theatre Arts Beginning Electives for the Acting Emphasis
      • THEA 2035 Fundamentals of Acting (3)
      • THEA 2037 Performing 20th Century Drama and Diversity (3)
      • THEA 2055 Intermediate Acting I (2)
    • Complete two of the following courses (6):
      • THEA 3052 Acting for the Camera (3)
      • THEA 4032 Period Acting Style: Restoration and Moliere (3)
      • THEA 4034 Period Acting Style: Shakespeare (3)
    • THEA 3056-7 Intermediate Acting II, III (2 each)
    • THEA 3064-5 Audition Techniques and Talent Analysis I, II (1 each)

    Additional Emphasis and Performance requirements:
    Take the following courses to meet B.A. Theatre Arts, Advanced Electives

    • THEA 4038-9 Acting Studio I, II (3 each)
    Beginning in Year Two, Acting Option students must audition for and accept roles in at least two department productions per year. These six productions will be applied to the major, three to the Beginning Electives and three to Advanced Electives requirements.
  2. Dance (15-30 units)
    Total major units with this option: 90-105.
    • Complete the B.A. Theatre Arts Beginning Electives for the Dance Emphasis. Dance Option students may apply only Ballet, Hip Hop, Modern, Musical Theatre, and Jazz courses at the beginning level.
    • Complete three of the following courses: (6)
      • DANC 2020 Rhythm and Music for Dance (2)
      • DANC 2341 Improvisation in Art and Life (2)
      • DANC 2342 Integrating Theatre and Dance (2)
      • DANC 2343 Body and Mind Training for Performance (2)
      • DANC 2344 Site-Specific Performance (2)
    • If necessary, students should take additional technique courses from the SACL at the beginning and intermediate levels to qualify for the following third/fourth year advanced technique courses.
    • Dance majors must take advanced technique courses from the following list every quarter of the third and fourth year. Complete a minimum of six courses in at least three styles. Students in these courses must pass a placement audition in the first class meeting. (6-12)
      • DANC 3101 Dance Ensemble Technique A (1)
      • DANC 3102 Dance Ensemble Technique B (1)
      • DANC 3103 Dance Ensemble Technique C (1)
      • DANC 3104 Dance Ensemble Technique D (1)
      • DANC 3105 Dance Ensemble Technique E (1)
      • DANC 3106 Dance Ensemble Technique F (1)
      • DANC 4131 Advanced Hip Hop Dance I (2)
      • DANC 4132 Advanced Hip Hop Dance II (2)
      • DANC 4133 Advanced Hip Hop Dance III (2)
      • DANC 4135 Advanced Breakdance I (2)
      • DANC 4136 Advanced Breakdance II (2)
      • DANC 4137 Advanced Breakdance III (2)
      • DANC 4141 Advanced Modern Dance I (2)
      • DANC 4142 Advanced Modern Dance II (2)
      • DANC 4143 Advanced Modern Dance III (2)
      • DANC 4171 Advanced Jazz Dance I (2)
      • DANC 4172 Advanced Jazz Dance II (2)
      • DANC 4173 Advanced Jazz Dance III (2)
      • DANC 4191 Advanced Intermediate Ballet Dance I (2)
      • DANC 4192 Advanced Intermediate Ballet Dance II (2)
      • DANC 4193 Advanced Intermediate Ballet Dance III (2)
    • Complete two of the following advanced ensemble courses to apply to the B.A. Theatre Arts Advanced Electives and 1-4 additional courses to the Option by agreement with advisor. (3-12)
      • DANC 3451 Dance ensemble A (3)
      • DANC 3452 Dance ensemble B (3)
      • DANC 3453 Dance ensemble C (3)
      • DANC 3454 Dance ensemble D (3)
      • DANC 3455 Dance ensemble E (3)
      • DANC 3456 Dance ensemble F (3)
    • Other requirements: Majors must participate in three productions for credit in the last two years to complete the Advanced Electives. Dance Option students should take the following course to meet the Advanced Elective requirement for an additional Dance History course.
      • DANC 4201 Dance in Modern Society (4)

    Endorsements
    Students may fulfill assignments, projects, performances, internships and service learning experiences to enhance preparation for specific careers in dance such as choreography, teaching, or performance. Students who have completed a prearranged plan will qualify for an endorsement upon graduation. Endorsement plans should be arranged in Year Three with the major advisor, dance faculty, and Chair. An endorsement plan might involve alternative assignments or additional requirements. Taking the courses in their plan qualifies a student for consideration. The dance faculty will make endorsements for superior achievement. Achievement goals should be spelled out in the plan. Endorsements will not appear on the transcript or diploma, but will be kept on file by the department. Students may plan for one or more of the following endorsements: 1) Choreography Endorsement; 2) Technique & Performance Endorsement; 3) Teaching Endorsement.

  3. Directing (22-26 units)
    Total major units with this option: 97-101.
    • History and Literature (8 units)
      Complete two additional courses in Theatre History and Literature. Selections must be approved by chair and advisor in advance.
    • Foundational Technique (2 units)
      Complete one additional Acting Technique course numbered 2999 or below (1)
      Complete one additional Technology and Design Foundation Technique course numbered 2999 or below (1)
    • Advanced Technique (6-8 units)
      Complete two additional Technology and Design Advanced Technique courses numbered 3000 or above (6-8).
    • Production and Performance (6-8 units)
      Complete two additional Production and Performance assignments. Selections must be approved by the chair and advisor in advance.
  4. Musical Theatre (31 units)
    Total major units with this option: 106 units.
    • Complete the B.A. Theatre Arts Beginning Electives for the Acting Emphasis.
    • Optional: Audition for winter musical production in first year.
    • Complete five additional quarters of musical dance from the following: (10)
      • DANC 2120 Musical Theatre Dance A (2)
      • DANC 2121 Musical Theatre Dance B (2)
      • DANC 2122 Musical Theatre Dance C (2)
      • DANC 2123 Musical Theatre Dance D (2)
      • DANC 2124 Musical Theatre Dance E (2)
      • DANC 2125 Musical Theatre Dance F (2)
    • THEA 2035 Fundamentals of Acting (3)
    • THEA 2045 Applied Singing for Theatre A (1)
    • THEA 2046 Applied Singing for Theatre B (1)
    • THEA 2047 Applied Singing for Theatre C (1)
    • THEA 2055 Intermediate Acting I (2)
    • Audition for and take winter musical production for credit in second through fourth year. Take on of the following courses each time and apply them to the appropriate Production and Performance requirements in the major.
      • THEA 2491 Musical Theatre Production B (4)
      • THEA 3491 Musical Theatre Production C (4)
      • THEA 4491 Musical Theatre Production D (4)
    • THEA 2044 Fundamental Musical Theatre Techniques (3)
    • THEA 3041 Advanced Applied Singing for Musical Theatre I (1)
    • THEA 3042 Advanced Applied Singing for Musical Theatre II (1)
    • THEA 3043 Advanced Applied Singing for Musical Theatre IIII (1)
    • Take the following courses and apply them to the Advanced Elective requirement in the major.
      • THEA 3048 Musical Theatre Technique I (3)
      • THEA 3049 Musical Theatre Technique II (3)
      • THEA 3216 History of Musical Theatre (4)
    • THEA 4040 Musical Theatre Journal Review (1)
    • THEA 4048 Advanced Musical Ensemble A (3) 
    • THEA 4049 Advanced Musical Ensemble B (3) 

    Notes

    1. Applied singing courses (lessons) are by audition and might require a course fee. Option students are required to take regular singing lessons.
    2. Option students are required to perform twice each year in Year Two through Four. As shown above, option students must audition for the winter musical three years and perform in three department musicals. Off campus productions allowed by agreement with an advisor. Journal required for each production.
    3. The following Music courses are highly recommended, but not required. Note that success in sightsinging requires experience reading music or concurrent enrollment in Music Theory. Without experience, consider taking a basic musicianship class for non-majors first.
      • MUS 1027 Sightsinging I (1)
      • MUS 1028 Sightsinging II (1)
      • MUS 1029 Sightsinging III (1)
      • MUS 1031 Music Theory II (4)
      • MUS 1032 Music Theory II (4)
      • MUS 1033 Music Theory III (4)
  5. Technology and Design (20-22 units)
    Total major units with this option: 95-97.
    • History and Literature (4 units)
      Complete a third course in Theatre History and Literature (4)
    • Foundational Technique (2 units)
      Complete two additional Technology and Design courses, numbered 2999 and below (2).
    • Advanced Technique (8 units)
      Complete two additional Technology and Design courses, numbered 3000 or above (8).
    • Production and Performance (6-8 units)
      Complete two additional Production and Performance assignments (6-8). Selections must be approved by the chair and advisor in advance.
  6. Theatre and Dance for Children and Community (24 units)
    Total major units with this option: 99.
    • Emphasis Courses (20 units)
      Complete five courses from the related Subject Area Course List (20).
    • Production and Performance (4 units)
      Complete one additional production assignment in Technology and Design (4). Selections must be approved by the chair and advisor in advance.
  7. Theatre: History and Literature (24 units)
    Total major units with this option: 99. All selections must be approved by the chair and advisor in advance.
    • History and Literature (8 units)
      Complete two additional courses in Theatre History and Literature (8).
    • English (8 units)
      Complete two English History and Literature courses from the sequence: ENGL 3400-3770 (8).
    • Production and Performance (8 units)
      Complete two additional Production and Performance assignments (8)

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Other Degree Requirements

In addition to major requirements, every student must also complete the University requirements for graduation which are described in the Baccalaureate Degree Requirements chapter in the front of this catalog. These include the General Education-Breadth requirements; the second composition (ENGL 1002) requirement; the cultural groups/women requirement; the performing arts/activities requirement; the U.S. history, U.S. Constitution, and California state and local government requirement; the University Writing Skills Requirement; and the residence, unit, and grade point average requirements.

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Subject Area Course Lists (SACL)

Common Core-acceptable Lower Division courses

Four-year CSUEB students should take any THEA or DANC course in a First Year General Education Cluster. Transfer students may petition the Chair to substitute a course with the following types of content: a theatre literature and history course with required reading of at least six plays, a performance appreciation course that required attendance and a review of at least four shows, a script analysis course, or a creative methods course (specifically any course that articulates with DANC 1200). Transfer students may also meet the requirement with one of the courses approved for four-year students. Substitutes require advanced approval of the Chair.

Acting

Technique Courses

  • THEA 2031 Stage Voice A
  • THEA 2032 Stage Voice B
  • THEA 2035 Fundamentals of Acting
  • THEA 2037 Acting 20th Century Drama and Diversity
  • THEA 2055 Intermediate Acting I
  • THEA 2061 Musical Theatre Show Choir A
  • THEA 2062 Musical Theatre Show Choir B
  • THEA 2063 Musical Theatre Show Choir C
  • THEA 3052 Acting for the Camera
  • THEA 3056 Intermediate Acting II
  • THEA 3057 Intermediate Acting III
  • THEA 3064 Audition Techniques and Talent Analysis I
  • THEA 3065 Audition Techniques and Talent Analysis II
  • THEA 4032 Period Acting Style: Restoration and Moliere
  • THEA 4034 Period Acting Style: Shakespeare
  • THEA 4038 Acting Studio I
  • THEA 4039 Acting Studio II

Dance

  • DANC 2023 Dance Fitness
  • DANC 2341 Improvisation in Art and Life
  • DANC 2342 Integrating Theatre and Dance
  • DANC 2343 Body and Mind Training for Performance
  • DANC 2344 Site Specific Performance
  • DANC 3426 Collaborative Dance Theatre

Beginning Technique Courses

  • DANC 1131 Beginning Hip Hop Dance I
  • DANC 1132 Beginning Hip Hop Dance II
  • DANC 1133 Beginning Hip Hop Dance III
  • DANC 1141 Beginning Modern Dance I
  • DANC 1142 Beginning Modern Dance II
  • DANC 1143 Beginning Modern Dance III
  • DANC 1171 Beginning Jazz Dance I
  • DANC 1172 Beginning Jazz Dance II
  • DANC 1173 Beginning Jazz Dance III
  • DANC 1181 Beginning Ballroom Dance I
  • DANC 1182 Beginning Ballroom Dance II
  • DANC 1183 Beginning Ballroom Dance III
  • DANC 1191 Beginning Ballet Dance I
  • DANC 1192 Beginning Ballet Dance II
  • DANC 1193 Beginning Ballet Dance III

Intermediate Technique Courses

  • DANC 2131 Intermediate Hip Hop Dance I
  • DANC 2132 Intermediate Hip Hop Dance II
  • DANC 2133 Intermediate Hip Hop Dance III
  • DANC 2141 Intermediate Modern Dance I
  • DANC 2171 Intermediate Jazz Dance I
  • DANC 2172 Intermediate Jazz Dance II
  • DANC 2173 Intermediate Jazz Dance III
  • DANC 2181 Intermediate Ballroom Dance I
  • DANC 2182 Intermediate Ballroom Dance II
  • DANC 2183 Intermediate Ballroom Dance III
  • DANC 2191 Intermediate Ballet Dance I
  • DANC 2192 Intermediate Ballet Dance II
  • DANC 2193 Intermediate Ballet Dance III

Advanced Technique Courses

  • DANC 4131 Advanced Hip Hop Dance I
  • DANC 4132 Advanced Hip Hop Dance II
  • DANC 4133 Advanced Hip Hop Dance III
  • DANC 4135 Advanced Breakdance I
  • DANC 4136 Advanced Breakdance II
  • DANC 4137 Advanced Breakdance III
  • DANC 4141 Advanced Modern Dance I
  • DANC 4142 Advanced Modern Dance II
  • DANC 4143 Advanced Modern Dance III
  • DANC 4171 Advanced Jazz Dance I
  • DANC 4172 Advanced Jazz Dance II
  • DANC 4173 Advanced Jazz Dance III
  • DANC 4191 Advanced Intermediate Ballet Dance I
  • DANC 4192 Advanced Intermediate Ballet Dance II
  • DANC 4193 Advanced Intermediate Ballet Dance III

Dance History Course

  • DANC 4201 Dance in Modern Society

Musical Theatre

  • THEA 2041 Musical Theatre Techniques A
  • THEA 2042 Musical Theatre Techniques B
  • THEA 2043 Musical Theatre Techniques C
  • THEA 2044 Fundamental Musical Theatre Techniques
  • THEA 2045 Applied Singing for Theatre A
  • THEA 2046 Applied Singing for Theatre B
  • THEA 2047 Applied Singing for Theatre C
  • THEA 2061 Musical Theatre Show Choir A
  • THEA 2062 Musical Theatre Show Choir B
  • THEA 2063 Musical Theatre Show Choir C
  • THEA 3041 Advanced applied Singing for Musical Theatre I
  • THEA 3042 Advanced applied Singing for Musical Theatre II
  • THEA 3043 Advanced applied Singing for Musical Theatre III
  • THEA 3048 Musical Theatre Techniques I
  • THEA 3049 Musical Theatre Techniques II
  • THEA 3216 History of Musical Theatre
  • THEA 4040 Musical Theatre Journal Review
  • THEA 4048 Advanced Musical Ensemble A
  • THEA 4049 Advanced Musical Ensemble B
  • DANC 2120 Musical Theatre Dance A
  • DANC 2121 Musical Theatre Dance B
  • DANC 2122 Musical Theatre Dance C
  • DANC 2123 Musical Theatre Dance D
  • DANC 2124 Musical Theatre Dance E
  • DANC 2125 Musical Theatre Dance F

Production and Performance

  • THEA 1490 Costume or Backstage Activity A
  • THEA 2490 Costume or Backstage Activity B
  • THEA 3490 Costume or Backstage Activity C
  • THEA 4490 Costume or Backstage Activity D
  • THEA 1491 Musical Theatre Production Activity A
  • THEA 2491 Musical Theatre Production Activity B
  • THEA 3491 Musical Theatre Production Activity C
  • THEA 4491 Musical Theatre Production Activity D
  • THEA 1492 Stage Crew Activity A
  • THEA 2492 Stage Crew Activity B
  • THEA 3492 Stage Crew Activity C
  • THEA 4492 Stage Crew Activity D
  • THEA 1493 Production Staff Activity A
  • THEA 2493 Production Staff Activity B
  • THEA 3493 Production Staff Activity C
  • THEA 4493 Production Staff Activity D
  • THEA 1494 Festival Activity A
  • THEA 2494 Festival Activity B
  • THEA 3494 Festival Activity C
  • THEA 4494 Festival Activity D
  • THEA 1495 Studio Production Activity A
  • THEA 2495 Studio Production Activity B
  • THEA 3495 Studio Production Activity C
  • THEA 4495 Studio Production Activity D
  • THEA 1497 Special Workshop or Production A
  • THEA 2497 Special Workshop or Production B
  • THEA 3497 Special Workshop or Production C
  • THEA 4497 Special Workshop or Production D
  • THEA 3496 International Touring Activity C
  • THEA 4496 International Touring Activity D
  • THEA 1498 Summer Theatre Practicum A
  • THEA 2498 Summer Theatre Practicum B
  • THEA 3498 Summer Theatre Practicum C
  • THEA 4498 Summer Theatre Practicum D
  • THEA 1499 Production Practicum A
  • THEA 2499 Production Practicum B
  • THEA 3499 Production Practicum C
  • THEA 4499 Production Practicum D

Technology and Design

Foundation Technique Courses

  • THEA 2421 Wood Scenery: Walls and Levels
  • THEA 2422 Costume Technique
  • THEA 2423 Lights: Hanging and Focus
  • THEA 2424 Sound: Recording
  • THEA 2425 Stage Effects
  • THEA 2428 Sound: PA
  • THEA 2429 Practical Drafting and Model Building
  • THEA 2430 Practical Make-up
  • THEA 2450 Vectorworks CADD for Lights and Scenery

Advanced Technique Courses

  • THEA 3422 History of Costume
  • THEA 3423 Non-Western Costume
  • THEA 3424 Scene Painting and Graphic Language
  • THEA 3426 The Art of the Kimono
  • THEA 3427 Fashion History
  • THEA 3428 Fashion Design
  • THEA 4418 Advanced Makeup and Maskmaking

Theatre and Dance for Children and Community

  • DANC 2020 Rhythm and Music for Dance
  • DANC 2341 Improvisation in Art and Life
  • DANC 2342 Integrating Theatre and Dance
  • DANC 2343 Body and Mind Training for Performance
  • DANC 2344 Site-Specific Performance
  • DANC 3235 Dance for Children
  • THEA 3610 Interpretation of Children's Literature and Story Telling
  • THEA 3650 Dramatic Activities for Children
  • THEA 3660 Children's Theatre Performance
  • REC 1000 Introduction to Recreation
  • REC 3000 Philosophy of Leisure Studies

Theatre History and Literature

  • ENGL 2040 Introduction to Creative Writing on Poetry
  • ENGL 2050 Introduction to Creative Writing on Drama
  • ENGL 3650 Women and Literature
  • ENGL 3760 Literature of the Twentieth Century
  • ENGL 4251 Introduction to Shakespeare or ENGL 4720 Mythology
  • ENGL 4637 Studies in 20th-Century American Literature
  • ENGL 4840 The Short Story
  • THEA 3203 Modern European Drama
  • THEA 3207 Modern American Theatre
  • THEA 4375 Ethnic and Immigrant Theatre in the United States

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Minor Requirements

  1. Theatre (34 units)
    1. Fundamental Courses (9 units)
      • THEA 2035 Fundamentals of Acting (3)
      • Take six courses from the following.  Transfers may substitute one course of up to three units on a course-for-units basis.  (6)
        THEA 2421-2430 Fundamental Backstage Technology (1 each)
    2. Core Courses (19 units)
      • One introductory course with consent of advisor (4)
      • THEA 3253 Theatre Through the Ages (4)
      • THEA 3254 Scenery, Lights and Sound Concepts (4)
      • THEA 3255 Costumes and Makeup Concepts (4)
      • THEA 3256 Directing: Text to Stage (3)
    3. Performance and Production Courses (minimum 6 units)

      Three production assignments/courses required. For each assignment, enroll for a minimum of two (2) units each from Theatre Production Activity courses by advisement. Transfers may apply only one production course taken at another institution. 

  2. Children's Theatre and Dance (32-33 units)
    1. Fundamental Courses (7 units)
      • DANC 2020 Rhythm and Music for Dance (2)
      • Select 2 units of lower division courses covering the topic of Basic Theatre Techniques, with consent of department (2)
        • THEA 2421-2428 Fundamental Backstage Technology (1 each)
      • Three units from the following; one unit must be at intermediate level (3):
        • DANC 1141 Beginning Modern Dance I
        • DANC 1142 Beginning Modern Dance II
        • DANC 1143 Beginning Modern Dance III
        • DANC 1171 Beginning Jazz Dance I
        • DANC 1172 Beginning Jazz Dance II
        • DANC 1173 Beginning Jazz Dance III
        • DANC 1191 Beginning Ballet Dance I
        • DANC 1192 Beginning Ballet Dance II
        • DANC 1193 Beginning Ballet Dance III
        • DANC 2171 Intermediate Jazz Dance I
        • DANC 2172 Intermediate Jazz Dance II
        • DANC 2173 Intermediate Jazz Dance III
        • DANC 2191 Intermediate Ballet Dance I
        • DANC 2192 Intermediate Ballet Dance II
        • DANC 2193 Intermediate Ballet Dance III
    2. Core Courses (19-20 units)
      • One lower division course with consent of advisor (4)
      • DANC 3235 Dance for Children (4)
      • DANC 3251 Movement Analysis (4)
        or THEA 3256 Directing: Text to Stage (3)
      • THEA 3254 Scenery, Lights and Sound Concepts (4)
        or THEA 3255 Costumes and Makeup Concepts (4)
      • THEA 3610 Interpretation of Children's Literature and Story Telling (4)
        or THEA 3650 Dramatic Activities for Children (4)
    3. Performance and Production Courses (6 units)
      • THEA 3660 Children's Theatre Performance (4)
      • One additional production assignment required. Enroll for a minimum of two (2) units from Theatre Production Activity courses by advisement.
  3. Dance Minor (34 units)
    1. Fundamental Courses (6 units)
      • Complete two units from the following (2):
        • DANC 2020 Rhythm and Music for Dance (2)
        • DANC 2341  Improvisation in Art and Life (2)
        • DANC 2342  Integrating Theatre and Dance (2)
        • DANC 2343  Body and Mind Training for Performance (2)
        • DANC 2344  Site-Specific Performance (2)
      • Complete four courses from the following (2):
        • THEA 2421-2430 Fundamental Backstage Technology (1 each)
    2. Core courses (18 units)
      • One lower division course with consent of advisor (4)
      • DANC 3251 Movement Analysis (4)
      • DANC 3252 Dance Through the Ages (4)
        or DANC 4201 Dance in Modern Society (4)
      • Complete at least six units of electives from the following by advisement. Do not repeat a course applied to the Fundamental Courses area above (6):
        • DANC 2020 Rhythm and Music for Dance (2)
        • DANC 2341 Improvisation in Art and Life (2)
        • DANC 2342 Integrating Theatre and Dance (2)
        • DANC 2343 Body and Mind Training for Performance (2)
        • DANC 2344 Site-Specific Performance (2)
        • DANC 3330 The Digital Stage: Dance on Camera (4)
        • DANC 3451-56 Dance Ensemble A, B, C, D, E, F (3 each)
    3. Technique Competencies (6 units)
      Students must take a minimum of five courses, all with a minimum grade of B, to demonstrate competency in two of the following techniques at the beginning and intermediate level, as well as one of the same techniques at the advanced level: hip hop, modern, jazz, and ballet. At least one advanced course must be taken at CSUEB. 
    4. Performance and Production Courses (4 units)

      Two production assignments required. For each assignment, enroll for a minimum of two (2) units from Theatre Production Activity courses by advisement.

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Undergraduate Courses

Theatre (Course prefix: THEA)
Course Number Course Information
1005
 How to See a Play (4)
An introduction to contemporary drama on the stage. How the printed play is translated into visual and aural images. Attendance at selected theatre events is required. Recommended for non-majors.
1006
 A Peek Behind the Scenes (4)
The artistic and production process involved in mounting a show. The current theatre or dance show as it happens from construction and rehearsal to opening and audience response. How literature or ideas are interpreted and rendered into live entertainment.
1013
 Ancient World Theatre (4)
Dramatic texts of ancient theatre, especially ancient Greek and Roman periods. Special emphasis on performance space, costumes, and masks. Exercises to reveal how theatre artists analyze literature.
1016
 All the World's a Stage: Theatre for Social Change (4)
Ethnic, racial, and gender obstacles to creative expression in theatre; artists as outlaws, rebels and people outside the mainstream. Plays of artists working for social change in the U.S. Play attendance required. Not open to students with credit for THEA 1010.
1020
 Discover Acting (3)
Introduction to acting techniques to improve self-expression and observation skills. An introductory acting course designed for non-majors. Suitable as an elective for those who work with people of all ages in education, recreation, business and mass communication.
1021
 Black Experience in Performance (4)
Study of slave journals, blues, plays, poetry, and various performance traditions created by African Americans and their effect on artistic development in the United States and abroad. Exercises in script and manuscript analysis, acting, and directing.
1022
 Keeping It Real: How Race Matters in Pop Culture (4)
The role race plays in the creation of American Pop Culture. The influence of artists of color on popular culture. Project involving creation of a script based on personal experience with issues of color.
2031,
2032
 Stage Voice A, B (1 each)
Fundamentals of voice production; 2031 includes warm-ups, resonance, relaxation, projection, and breath control; 2032 introduces articulation, emphasis, and Standard American Speech in use in classic repertoire. May be taken out of sequence with permission of instructor. Each may be repeated once, for a maximum of 2 units each. Only 2 units may be applied to Beginning Electives and/or an Option in the major. Two hrs. act.
2035
 Fundamentals of Acting (3)
Emphasis on scene specific improvisation, text analysis, identification of objectives, actions, and obstacles. Attention also given to freeing character through animal imagery, inanimate imagery, body centers, character analysis, given circumstances, and personalization. Prerequisites: Majors—one year of stage voice; Others—THEA 1020 or instructor approval. Six hrs. act.
2037
 Acting 20th Century Drama and Diversity (3)
Exploration of acting, movement, and vocal technique through scripts from contemporary playwrights of various races, ethnicities, and cultures. Emphasis on character development. Exercises for connecting to personal experience, freeing the imagination, and personal discovery. Prerequisites: THEA 2035 and 2055 or instructor approval. Six hrs. act.
2041,
2042,
2043
 Musical Theatre Techniques A, B, C (3 each)
Song interpretation for musical theatre. Concentrates on dialogue to song transition, phrasing, emphasis, and focus. Includes basic moves of vaudeville, jazz, and ballroom dance. Introduction to musical theatre scores. Six hrs. act.
2044
 Fundamental Musical Theatre Techniques (3)
Introduction to Musical Theatre performance. How to embody a song for stage. Combining singing, acting and dance skills to illuminate character intention, emotion, and mood. Musicality and basic audition technique. Concludes with juried showcase of performance skills and progress. Prerequisites: THEA 2035 or instructor approval. A-F grading only. Six hrs. act.
2045,
2046,
2047
 Applied Singing for Musical Theatre A, B, C (1 each)
Introduction to scores, exercises, vocalization, and basic musicianship. Breathing technique; jaw, tongue and soft palate placement; placing the sound in the mask or head resonators; and expanding vocal range. Building solo repertoire from a range of musicals. A-F grading only.
2055 Intermediate Acting I (2)
Exploration of personal behavior under a variety of circumstances. Self-observation to create a reality. Selecting pertinent behavior and finding meaningful actions. Given circumstances, objectives, fourth wall, concentration, sense of self, and moment to moment involvement. Prerequisite: THEA 2035 or instructor approval. Four hrs. act.
2061-
2063
 Musical Theatre Show Choir A, B, C (2 each)
Performance of songs from the American and British musical theatre repertoire; skills in various musical theatre styles, both solo and group, including song interpretation, dance, and acting skills. Class performs on and off campus. 4 hrs. act.
2072,
3072
 Cultural Groups in Performance (4)
Production, rehearsal, and performance of a show that focuses on a specific cultural group. Attend first meeting or call department for cultural theme. Only 4 units credit from 2072 or 3072 is applicable to the Theatre Arts major. THEA 2072 and 3072 may be repeated for credit, for a combined maximum of 16 units. Eight hrs. act.
2073,
2074,
2075
 Beginning Solo Plays from Personal Experience A, B, C (3 each)
Making your point using personal experiences. Writing and performance techniques that maximize impact for your audience. Two hrs. disc., 2 hrs. act.
2078,
3078
 Solo Performance: Production (4)
Production, rehearsal, and performance of a touring performance or show that focuses on plays developed in the Solo Performance series. May be repeated once for credit, for a maximum of 8 units. Only 4 units credit from THEA 2078 or 3078 may be applied to meet a department Production and Performance requirement. Two hrs. disc., 4 hrs. act.
2211
 Asian Thought in Theatre (4)
Asian thought as portrayed in Asian Performance and the role of Asian thought and performance techniques in U.S. and world theatre.
2212
 From Stage to Screen: Dramas and the Films They Inspired (4)
Great works of dramatic literature from Classical Greece to modern times compared with films based on them. Exploration of intellectual, social, political, and personal issues raised in these works. Stage and film methods compared.
2214
 The Plays of Arthur Miller (4)
The major plays of Arthur Miller and their social, political, and philosophical significance for American lives and culture. Students will perform key scenes. Field trips may be required.
2222
 Sexual Imagery and Performance (4)
How works of Western and American theatre both illuminate and are defined by contemporary American intellectual and cultural issues, such as censorship, gender identity, body image, legal definitions of obscenity, social relationships, and privacy.
2223
 Queering the Stage: Gay, Lesbian, Bisexual and Transgender Theatre in America (4)
How foundational works in GLBT Theatre both illuminate and are defined by contemporary American intellectual and cultural concerns, such as identity, navigating dual identity, confronting oppression, prejudice, violence, and negotiating a place in the traditional social framework.
2226
 Women in Performance (4)
Roots of U.S. culture in roles of women artists, including traditional gender-based performance forms. The female body in theatre. Includes some women artists of Europe, Africa, and Pacific Rim who have influenced or been influenced by U.S. culture.
2269
 Arts and Media of the Golden State (4)
The role of creativity in California, the mass-media cultural center of the world, including the stage, screen, recording industry, media, Silicon Valley, and gaming. Introduction to arts and media forms with an emphasis on the roles of delivery and content in developing a personal understanding and appreciation for arts and culture. Requires attendance at on- and off- campus arts and cultural events. Not open to students with credit for MUS 2269.
2310
 Oral Interpretation of Literature (4)
The artistic process of studying literature through performance. The critical analysis of texts and guided practice in the effective use of voice and body to communicate poetry, prose, and dramatic texts.
2421-2430
 Fundamental Backstage Technology (1 each)
Basic techniques of production for performance situations. Lights course includes stage and TV. Effects course includes pyro, fog, and releases. Open to non-majors. May be repeated once with consent of department, for a maximum of 2 units. Only 1 unit may be applied to the Theatre Arts major. Two hrs. act.

2421 Wood Scenery: Walls and Levels
2422 Costume Technique
2423 Lights: Hanging and Focus
2424 Sound: Recording
2425 Stage Effects
2428 Sound: PA
2429 Practical Drafting and Model Building
2430 Practical Make-up
2450
 Vectorworks CADD for Lights and Scenery (1)
Extends basic drafting skills into the digital domain of CADD. Especially for light and scenery designers, but skills are applicable to other careers. Techniques sufficient to create plans for a set or to draw a light plot and stage cross section. May be repeated once for credit, for a maximum of 2 units. Only 1 unit may be applied to the Theatre Arts major. Two hrs. act.
3000
 Theory of Theatre Performance (4)
A series of theatre activities to demonstrate the nature and execution of theatre performance. Combines improvisation, physicalization of subtext, creative dramatic techniques, and explorations of collaborative performance. Three hrs. lect., 2 hrs. act.
3041
 Advanced Applied Singing for Musical Theatre I (1)
Continued development of healthy singing technique. Emphasis on song interpretation, approaching the song as a monologue, using personal identification to the text, and visualizing imaginary images while singing. Prerequisites: THEA 2045, 2046, 2047, or instructor approval. May be repeated once for credit for a maximum of 2 units, only one attempt applicable to major option. A-F grading only.
3042
 Advanced Applied Singing for Musical Theatre II (1)
Continued development of healthy singing technique. Emphasizes song interpretation, approaching the song as a monologue, personal identification with the text, and visualization of imaginary images while singing. Prerequisites: THEA 2045, 2046, 2047, 3041, or instructor approval. Not for credit in the Theatre major but required for progress in the Technique and Ensemble classes. May be repeated once for credit for a maximum of 2 units, only one attempt applicable to major option. A-F grading only.
3043
 Advanced Applied Singing for Musical Theatre III (1)
Continued development of healthy singing technique. Emphasizes song interpretation and telling a complete short story with a song. Song repertoire will consist of cabaret story songs from the works of Charles Aznavour, Kander and Ebb, Kurt Weil, and others. Prerequisites: THEA 2045, 2046, 2047, and 3041, 3042, or instructor approval. May be repeated once for credit for a maximum of 2 units, only one attempt applicable to major option. A-F grading only.
3048
 Musical Theatre Technique I (3)
Acting while singing, including character development, revealing psychological intention, and moving the plot forward. Analyzing scenes with two or more characters that segue into songs. Breaking down scenes for actions, objectives and obstacles. Prerequisites: THEA 2044 or instructor approval. A-F grading only. Six hrs. act.
3049
 Musical Theatre Technique II (3)
Acting while singing and scene to song transition. Scenes with three or more characters that segue into musical trios, quartets, and larger groups. Character development, moving plot forward, and revealing psychological intention. Concludes with juried showcase to evaluate progress. Prerequisites: THEA 3048 or instructor approval. A-F grading only. Six hrs. act.
3050
 Teleplay Acting and Production Workshop (4)
Producing original television movie for cable broadcast. Primarily advanced camera acting techniques, includes some studio operation. Some roles may be assigned during previous quarter to students in THEA 3052. May be repeated once for credit. Two hrs. lect., 4 hrs. act.
3052
 Acting for the Camera (4)
Acting in television drama; preparation for interviews and other television appearances. Prepares students for acting and production opportunities in CSUEB creative video courses. Recommended preparation: THEA 1020, COMM 3100, or ENGL 3077. May be repeated once for credit, for a maximum of 8 units.
3056,
3057
 Intermediate Acting II, III (2 each)
Using personal behavior and self-observation to create a reality. Selecting pertinent behavior and finding meaningful actions. Establishing given circumstances, clarifying objectives, creating fourth wall, strengthening concentration, expanding sense of self, and increasing moment to moment involvement. Prerequisites: THEA 2055 or instructor approval. Four hrs. act.
3061
 Period Acting (2)
Stylized acting technique applicable to works from selected periods and locales. Emphasis on Western, but includes content from at least one non-Western genre. Consult instructor about specific content. Prerequisite: any lower-division acting course. May be repeated once for credit, for a maximum of 4 units. A maximum of 4 units are applicable to the major. Four hrs. act.
3064,
3065
 Audition Techniques and Talent Analysis I, II (1 each)
Audition techniques using monologues, scene work, and cold reading. Developing head shots and resumes. Self-marketing based on analysis of personal talents and type. Co-requisites: One of THEA 1494, 2494, 3494, 4494, 2055, 3042, or 3043. A-F grading only. Two hrs. act.
3070
 Leadership in Cultural Production (2)
Practical production planning for theatre and dance shows that focus on specific cultural groups. Staffing, resources, and scripting. Course does not meet a department Production and Performance requirement. May be repeated two times for credit, for a maximum of 6 units. Four hrs. act.
3071
 Creating a Cultural Production (2)
Practical playwriting for shows that focus on specific cultural groups. Course does not meet a department Production and Performance requirement. May be repeated two times for credit, for a maximum of 6 units. Four hrs. act.
3073
 Solo Performance: Research Methods (3)
Research methods for enhancing solo plays that are based on personal experiences. Using science, social science, and humanities scholarship to make a convincing case for the lessons in your play. Course does not meet a department Production and Performance requirement. Two hrs. disc., 2 hrs. act.
3074
 Solo Performance: Talk Story Techniques (3)
Techniques for making a play from primary sources and interviews. Writing and performance techniques that maximize impact for your audience. Course does not meet a department Production and Performance requirement. Two hrs. disc., 2 hrs. act.
3075
 Solo Performance: Writing about Political and Social Issues (3)
Techniques for making a play based on political and social issues. Writing and performance techniques that maximize impact for your audience. Course does not meet a department Production and Performance requirement. Two hrs. disc., 2 hrs. act.
3201
 Classical Greek and Roman Drama (4)
The historic development of early classical drama from the Greek period through the Roman, including the study of representative plays, theatre architecture, and production. Individual research on selected topics.
3202
 European Medieval and Renaissance Drama (4)
The historic development of European drama from the Medieval period through the Italian Renaissance, Elizabethan period, and 17th Century, including the study of representative plays, theatre architecture, and production. Individual research on selected topics.
3203
 Modern European Drama (4)
The historic development of European drama from 1800 to the present, including study of representative plays, physical aspects of the theatre, and production practices. Individual research on selected topics.
3207
 Modern American Theatre (4)
Study of representative American playwrights and their theatre from 1920 to the present. Individual research on selected topics.
3208
 Postmodern Theatre (4)
Development of postmodern theatre with its emphasis on the mixing of different styles and periods, its interspersing of multiple meanings in a text performance, and its self-consciousness about performance itself. Individual research on selected topics.
3209
 Sex, Love, and Women on Stage and in Film (4)
Theatre and film as art forms shaping and reflecting culture and values, especially through images of sex, love, and women at different periods in history. Written critique of scripts and/or performances.
3216
 History of Musical Theatre (4)
Musical theatre from 1866 to the present; 19th-century minstrel and variety shows; the theatre of social change in the 20's and 30's; and "concept" musicals after 1970. Requires theatre attendance.
3217
 Theatre of Horror (4)
American Horror and Science Fiction with roots in French Grand Guignol (gory effects) and German Expressionism. Landmarks that advanced the forms on stage and film. How Cold War fears and emerging technology spawned iconic films leading back to contemporary theatre. Not for credit in Theatre major or minor.
3220
 The History of Black Theatre (4)
Influence of twenty-five centuries of African Diaspora on theatre of Europe and North America. Black influence on playwriting, movies and television; Ancient Greek, Medieval, and Shakespearean performance styles; Minstrel theatre; the Harlem Renaissance; and the Black Arts Movement.
3225
 Theatre Today (4)
Methods for developing a critical viewpoint on theatrical production through observation and analysis of production elements. Includes historical perspectives. Attendance at a variety of theatre events is required. May be used as major elective by advisement only.
3230
 Shakespeare on Film (4)
Selected plays of Shakespeare shown on film in class. Discussion of literature, interpretations, techniques and concepts of plays as adapted for film and historic setting. Attendance at one live performance may be required for comparative purposes.
3253
 Theatre Through the Ages (4)
Historical development of classical drama of a specific period, usually either Greek/Roman or Medieval/Renaissance/Shakespeare; the evolving performance space and production technique; representative literature and its influence on world theatre; research on selected topics.
3254
 Scenery, Lights, and Sound Concepts (4)
Techniques and principles of sets, lighting, and sound for the performing arts. Emphasizes design basics, tools, construction methods, reading plans, hanging and focusing lights, sound PA and production, props, drafting floor plans, and practical projects. Two hrs. lect., 4 hrs. act.
3255
 Costumes and Makeup Concepts (4)
Techniques and principles of costumes and makeup for the performing arts. Emphasizes design basics, clothing construction, research methods, rendering techniques, makeup theory, and practical projects. Two hrs. lect., 4 hrs. act.
3256
 Directing: Text to Stage (3)
Transformation of text to stage images. Signs and symbols of production elements. Scrutinize arts and myth, experiment in deconstruction, collage, and mise en scene. Basic directing. Six hrs. act.
3257
 Design for Stage (3)
Aesthetics and practice of scenography, lighting, and costume in the performing arts. Techniques of drawing, painting, model building, research, and light plots. Prerequisite: THEA 2001 or consent of instructor. Six hrs. act.
3310
 Interpretation of Women's and Ethnic Literature (4)
Research, selection, and analysis of literature contributing to U.S. culture by women and ethnic minorities. Rehearsal and performance as Readers' Theatre. Three hrs. lect., 2 hrs. act.
3311
 Filipino Theatre (4)
A beginning to intermediate practicum in theatre of the Philippines. Literature, acting, and theatrical aspects; includes a performance. May be repeated once for credit, for a maximum of 8 units. Two hrs. lect., 4 hrs. act.
3315
 Multicultural Theatre Troupe (4)
Techniques for performing before multicultural audiences. Oriented for non-majors. Involves off-campus shows. Two hrs. discussion, 4 hrs. act.
3326
 Ethnic Women Playwrights and Performers (4)
The contributions of ethnic women to contemporary American theatre; the playwright as agent for broader social change through revelation of hidden prejudice and privilege. Field trips required.
3422
 History of Costume (4)
The historic development of Western costume from Egyptian to modern styles.
3423
 Non-Western Costume (4)
The development of non-Western clothing and costume. The important influences of Chinese, Japanese, Indonesian, Indian, and African clothing on all cultures. Recommended for nonmajors.
3424
 Scene Painting and Graphic Language (4)
Exploration of methods of scenic painting. Problems in rendering, models, and full scale painting using scenic color media, texture treatment, and light and shadow techniques. Two hrs. lect., 4 hrs. act.
3426
 The Art of the Kimono (4)
Study of the Japanese kimono as costume in traditional Noh, Kabuki, and Bunraku drama, as well as its influence on Western fashion and theatre design. Includes history of the Kimono and construction techniques. Two hrs. lect., 4 hrs. act.
3427
 Fashion History (4)
Overview of fashionable clothing throughout history with a focus on the 20th Century. Mainly western perspective, but includes world influences on fashion especially since the 19th Century.
3428
 Fashion Design (4)
Design and technical practices in fashion from conception to the runway. Includes activities such as developing concepts, color sketching, selecting fabrics, garment construction, and dressing the model. Two hrs. lect., 4 hrs. act.
3461
 Inclusive Interdisciplinary Ensemble A (2)
Interplay between movement and music in performance and other modes of expression. Inclusive, for people of all sizes, shapes, ages and abilities/disabilities. Four hrs. act.
3462
 Inclusive Interdisciplinary Ensemble B (2)
Integrating dance and theatre techniques; deepening understanding and application of physical theatre. Inclusive, for people of all sizes, shapes, ages and abilities/disabilities. Four hrs. act.
3463
 Inclusive Interdisciplinary Ensemble C (2)
Exploration of diverse approaches to site-specific and “do-it-yourself” performance, including traditional and experimental methods. Inclusive, for people of all sizes, shapes, ages and abilities/disabilities. Four hrs. act.
3464
 Inclusive Interdisciplinary Ensemble D (2)
Approaches to dance accessible to people with and without disabilities and of all sizes, shapes, ages and abilities/disabilities. Covers movement invention, technique and composition. Four hrs. act.
3465
 Inclusive Interdisciplinary Ensemble E (2)
Focus on techniques for movement, sound and theatrical improvisation grounded in the study of Contact Improvisation and dance techniques from traditional to contemporary. Accessible to people of all sizes, shapes, ages and abilities/disabilities. Four hrs. act.
3466
 Inclusive Interdisciplinary Ensemble F (2)
Explores application of technique to physical, mental and emotional fitness, relationship of fitness to training for performance. Focus on approaching performance in long-term, sustainable ways. Accessible to people of all sizes, shapes, ages and abilities/disabilities. Four hrs. act.
3487
 Voice for Shakespearean and Period Theatre (2)
Vocal techniques required for speaking in Shakespearean and other period plays. Four hrs. act.
3610
 Interpretation of Children's Literature and Story Telling (4)
Techniques of story telling; selection and practice in reading poetry and prose for children. Suggested for elementary teachers and theatre majors. Three hrs. lect., 2 hrs act.
3650
 Dramatic Activities for Children (4)
Creative dramatics as a tool for building and developing the creative capacities of children. Includes theatre games, improvisation, puppetry, mask making, and other drama activities. Three hrs. lect., 2 hrs. act.
3660
 Children's Theatre Performance (4)
Theory and techniques of producing theatre for children, including preparation and rehearsal for annual production. May be repeated two times for credit, for a maximum of 12 units. Majors may substitute 8 units of THEA 3660 for THEA 3181. Two hrs. lect., 4 hrs. act.
3898
 Cooperative Education (1-4)
Supervised work experience in which student completes academic assignments integrated with off-campus paid or volunteer activities. Prerequisites: at least a 2.0 GPA; departmental approval of activity. May be repeated, for a maximum of 8 units. Only 4 units may be applied to the Theatre Arts major. Only 4 units may be applied to the Theatre minor.
3999
 Issues in Theatre (4)
Readings, discussion, and research on contemporary and/or significant issues in theatre. May be repeated for credit when content varies, for a maximum of 8 units.
4032
 Period Acting Style: Restoration and Moliere (3)
Technique and physical style for British Restoration and Moliere. Exercises and scene work to increase skills repertoire. Using costumes, mannerisms, body positions, and commedia stock characters. Political and social changes that gave rise to classic theatrical visions of satire. Prerequisites: THEA 2035 and 2055, or instructor approval. Six hrs. act.
4034
 Period Acting Style: Shakespeare (3)
Understanding meter, meaning, and motivation in Shakespeare. Exploration of imagery and psychological motivation in bringing the bard’s characters to life. Soliloquy and scenes. Prerequisites: THEA 2035 and 2055, or instructor approval. Six hrs. act.
4038,
4039
 Acting Studio I, II (3 each)
Classroom workshop productions of one act plays, short plays, and new works. Plays from various styles and periods. Provides opportunity to develop a main character and bring them to life in performance. The complete acting process. Prerequisites: THEA 2035 and 2055, or instructor approval. Six hrs. act.
4040
 Musical Theatre Journal Review (1)
Musical Theatre Option majors required to maintain a developmental journal from second year to include course and performance reflections, literature and character studies, personal repertoire list, and audition materials. Required fourth year for senior review. Open to third year students with advising. May be repeated once for credit for a maximum of 2 units. A-F grading only. Two hrs. act.
4041
 Musical Theatre Ensemble (3)
Character and scene study for musical theatre. Concentrates on duets, trios, and group numbers. Introduction to musical theatre literature. Six hrs. act.
4048
 Advanced Musical Ensemble A (3)
Focus on rehearsal technique and performance. Small ensemble musicals or musical revues to be performed on campus and at local high schools. Attention given to effective rehearsal technique, working as an ensemble, heightened lyricism, and acting technique. Prerequisites: THEA 3048 and 3049, or instructor approval. A-F grading only. Six hrs. act.
4049
 Advanced Musical Ensemble B (3)
Focus on rehearsal and audition technique in preparation for beginning a career as a professional artist. Exercises to prepare for the audition setting. Making strong movement choices; learning and performing songs and scenes quickly.  Prerequisites: THEA 3048 and 3049, or instructor approval. A-F grading only. Six hrs. act.
4151
 Senior Festival Preproduction (3)
Preparation for senior culmination performing arts project. May substitute full-time internship in professional environment. Open to non-major performers and technicians with some experience. Prerequisite: Majors - THEA 2001; others - consent of instructor. May be repeated once for credit, for a maximum of 6 units. Applying repeat units to major requires Chair exception. Six hrs. act.
4152
 Senior Festival Performance (3)
Performance of senior culmination performing arts project. May substitute full-time internship in professional environment. Open to non-major performers and technicians with some experience. Prerequisite: Majors - THEA 2001; others - consent of instructor. May be repeated once for credit, for a maximum of 6 units. Applying repeat units to major requires Chair exception. Six hrs. act.
4155
 Career Management Issues in Theatre Arts (4)
How artists, in their careers, relate to management, industry, government, and society in general. Career management and arts administration topics. Commercial and non-profit business structures and methods.
4375
 Ethnic and Immigrant Theatre in the United States (4)
How ethnic groups have used theatre as a secular ritual, a means of self-expression, and as a search for identity. Most attention to the theatre of African, Asian, and Latin Americans; Yiddish and Italian immigrants also covered. Particular emphasis on local theatre companies, including visits to see their productions.
4418
 Advanced Makeup and Maskmaking (2)
Advanced study of makeup for the theatre. Special makeup effects and mask making, including construction techniques. Use of masks as visual art. Mask techniques for teachers. May be repeated once for credit, for a maximum of 4 units. One hr. lect., 2 hrs. act.
4900
 Independent Study (1-4)
May be repeated for credit with consent of instructor, for a maximum of 12 units.
Activity Courses (Course prefix: THEA)
Course Number Course Information
1490-4499
 Theatre Production Activity Courses (2-8)
Participation in preproduction or performance. Consult department office for course appropriate to desired assignment. First-year students take courses numbered 1490-1499; second-year students, courses numbered 2490-2499; third-year students, courses numbered 3490-3499; and fourth-year students, courses numbered 4490-4499.

1490, 2490, 3490, 4490 Costume or Backstage Activity A, B, C, D (2 each) May be repeated two times for credit, for a maximum of 6 units for this series. Four hrs. act.
1491, 2491, 3491, 4491 Musical Theatre Production A, B, C, D (4 each) Co-requisites: Concurrent enrollment in a section of DANC 2120-2125 Musical theatre Dance A B, C, D, E, F as designated by the director of the current musical production. May be repeated two times for credit for a maximum of 12 units for this series. Twelve hrs. act.
1492, 2492, 3492, 4492 Stage Crew Activity A, B, C, D (2 each) May be repeated two times for credit, for a maximum of 6 units for this series. Four hrs. act.
1493, 2493, 3493, 4493 Production Staff Activity A, B, C, D (3 each) May be repeated two times for credit, for a maximum of 9 units for this series. Six hrs. act.
1494, 2494, 3494, 4494 Festival Activity A, B, C, D (2 each) May be repeated two times for credit, for a maximum of 6 units for this series. Four hrs. act.
1495, 2495, 3495, 4495 Studio Production Activity A, B, C, D (4 each) May be repeated two times for credit, for a maximum of 12 units for this series. Eight hrs. act.
1497, 2497, 3497, 4497 Special Workshop or Production A, B, C, D (1-12 each) Prerequisite: Consult department to confirm participation, assignment, course, and units. Only THEA 4497 may be applied to the major. May be repeated once for credit. CR/NC grading only for THEA 1497, 2497, and 3497. A-F grading only for THEA 4497. Two to Twenty-four hrs. act.
1498, 2498, 3498, 4498 Summer Theatre Practicum A, B, C, D (8 each) Sixteen hrs. act.
1499, 2499, 3499, 4499 Production Practicum A, B, C, D (4 each) May be repeated two times for credit, for a maximum of 12 units for this series. Eight hrs. act.
2496, 3496, 4496 International Touring Activity B, C, D (8 each) Sixteen hrs. act.
Dance (Course prefix: DANC)
Course Number Course Information
1121-1193

Beginning Technique Classes (1 each)
Beginning dance techniques. Audition during first meeting to take course out of sequence. Not open to students with two units of credit for former courses in the same technique in the DANC 1000 series. Two hrs. act.

1121-2-3 Beginning Latin Dance I, II, III
1131-2-3 Beginning Hip Hop Dance I, II, III
1135-6-7 Beginning Breakdance I, II, III
1141-2-3 Beginning Modern Dance I, II, III
1151-2-3 Beginning Tap Dance I, II, III
1161-2-3 Beginning Capoeira I, II, III
1171-2-3 Beginning Jazz Dance I, II, III
1181-2-3 Beginning Ballroom Dance I, II, III
1191-2-3 Beginning Ballet Dance I, II, III
1201
 Dance for All Bodies and Abilities (4)
Study of personal identity, community and body image. The role of the arts in understanding gender, race, sexual orientation, disability, age, and culture. The creative expression of themes of social change through dance. Composition exercises that include theatre and music. Not open to students with credit for DANC 1202 or 1203.
1202
 World Dance: Oral Traditions and the Stage (4)
An exploration of cultural dances from around the world and the oral traditions and storytelling from which they come. Individual projects on movement and literature of world cultures. Not open to students with credit for DANC 1201 or 1203.
1203
 Exploring the Creative and Spiritual (4)
Theory of creative means used by artists throughout history to make art. Solo and collaborative stage performance exercises directed at releasing creative energies, expanding mental boundaries, and increasing the range of expressive mean s. Not open to students with credit for THEA 1201 or 1202.
2003
 Intermediate Folk Dance (1)
May be repeated once, for a maximum of 2 units. Two hrs. act.
2020
 Rhythm and Music for Dance (2)
Study and exploration of common rhythmic and musical forms used for dance accompaniment. Composition of and improvisation to simple rhythmic scores. One hr. lect., 2 hrs. act.
2023
 Dance Fitness (2)
Conditioning the body through the use of weights, both free and Nautilus. Proper stretching techniques and dietary considerations. May be repeated two times for credit, for a maximum of 6 units. Four hrs. act.
2111-2193
 Intermediate Technique Classes (1 each)
Intermediate dance techniques. Requires one year of beginning technique or instructor's permission. Audition during first meeting to take course out of sequence. Not open to students with two units of credit for former courses in the same technique in the DANC 2000 series. Two hrs. act.

2111-2-3-4-5-6 Intermediate Latin Dance I, II, III, IV, V, VI
2131-2-3 Intermediate Hip Hop Dance I, II, III
2141-2-3 Intermediate Modern Dance I, II, III
2151-2-3 Intermediate Tap Dance I, II, III
2161-2-3 Intermediate Capoeira I, II, III
2171-2-3 Intermediate Jazz Dance I, II, III
2181-2-3 Intermediate Ballroom Dance I, II, III
2191-2-3 Intermediate Ballet Dance I, II, III
2120-2125
 Musical Theatre Dance A, B, C, D, E, F (2 each)
Dance techniques, interpretation, and choreography applicable to musical theatre. Might concentrate on dance related to current production, but will expand to other fundamentals. May be taken in any order. Prerequisite: one quarter of Jazz Technique or consent of instructor. Four hrs. act.
2221-2223
 World Folk Dance A, B, C (1 each)
Introduction to traditional folk dances from around the world as a means of experiencing dance as a community-building art form and a celebration of diversity. Accessible dances taught in groups, partners and individual movement patterns, including improvisation techniques. 2 hrs. act.
2331-2333
 Mixed Ability Dance A, B, C (2 each)
Methods for including all physical abilities and disabilities, body types, and experience levels in the creation of artistic dance performance. Trust exercises, improvisation, and technique. Informal presentations and performance videos. 4 hrs. act.
2336-2337
 Sex, Race, and Body Politics in Dance B, C (2 each)
Contemporary approaches to dance that address diversity in sexual identity, gender, race, body image, and culture. Special focus on cutting-edge Bay Area artists and trends. Techniques for combining dance, theatre, personal narratives, cultural forms, and current technology. 4 hrs. act.
2341
 Improvisation in Art and Life (2)
Improvisation as a vehicle for deepening artistic expression, performance skills, body awareness, health, and communication. Integrates techniques from modern dance, music, dance theatre, martial arts, sports and more. Inclusive for people of all sizes, shapes, ages and abilities/disabilities. May be repeated once for credit, for a maximum of 4 units. Theatre majors/minors and Dance minors must take their first attempt for a letter grade only. Four hrs. act.
2342
 Integrating Theatre and Dance (2)
Techniques for integrating movement, text, sound, and personal experience with diverse styles to create inclusive and vital contemporary performance. Fosters creative and innovative problem-solving. Inclusive, for people of all sizes, shapes, ages and abilities/disabilities. May be repeated once for credit for a maximum of 4 units. Theatre majors/minors and Dance minors must take their first attempt for a letter grade only. Four hrs. act.
2343
 Body and Mind Training for Performance (2)
Overview of somatic approaches to training for dance, theatre, music, sports, public speaking and more. Combines modern dance and martial arts with diverse approaches to understanding and harnessing the full range of body systems for increased efficiency and health. May be repeated once for credit for a maximum of 4 units. Theatre majors/minors and Dance minors must take their first attempt for a letter grade only. Four hrs. act.
2344
 Site Specific Performance (2)
Overview of techniques and approaches for performing outside the context of a fully furnished theatre. Covers movement, sound, text, image, design, improvisation and composition. Opportunities for studying, experimenting, and performing in multiple styles and settings. May be repeated once for credit for a maximum of 4 units. Theatre majors/minors and Dance minors must take their first attempt for a letter grade only. Four hrs. act.
3021
 Cultural Dance Forms (3)
Provides research skills and movement activities to inspire cross-cultural appreciation through dance. Audio-visual used to analyze, compare and contrast elements such as rhythm, symbolism, religion, dress, form, and function. Students share personal experiences and customs. May be repeated once for credit, for a maximum of 6 units. Two hrs. lect., 2 hrs. act.
3022
 Improvisation and Beyond (3)
Exploration of movement through improvisational techniques leading to dance making. Stepping stones to the development of choreography and performance. Fosters a supportive atmosphere while crafting dances through an individual approach. Six hrs. act.
3026
 Jazz and Modern Dance (2)
Jazz and modern dance technique with repertory experience. Students will have experience in both styles and learn repertory. Performances at the end of quarter. Four hrs. act.
3101-
3106
 Dance Ensemble Technique A, B, C, D, E, F (1 each)
Jazz and modern dance technique with repertory experience. Students will have experience in both styles and learn repertory. Performances at the end of quarter. Four hrs. act.
3135-3153
 Advanced Technique Classes (see units below)
Advanced dance techniques. Requires one year each of beginning and intermediate technique or instructor's permission. Audition during first meeting to take course out of sequence. Not open to students with two units of credit for the same technique in former DANC 3000 series.

3135-6-7 Advanced Breakdance I, II, III. 4 hrs. act. (2 each)
3151-2-3 Advanced Tap Dance I, II, III. 2 hrs. act. (1 each)
3235
 Dance for Children (4)
Theory and techniques for developing movement and expressive capabilities of the child through dance participation. Opportunities to work with children are provided. Prerequisite: beginning level dance course (e.g. DANC 1000 series) or consent of instructor. Three hrs. lect., 2 hrs. act.
3241
 The Dance Experience (3)
Study of dance theory and its development as a creative form and process; exploration of various dance forms, techniques and methods. Two hrs. lect., 2 hrs. act.
3251
 Movement Analysis (4)
How movement communicates and functions in society. Observation, analysis, coaching, and recording of movement; functional alignment (Feldenkrais, Ideokinesis); movement theory (Laban, Bartenieff); cross-cultural models. Helpful for actors, dancers, athletes, coaches, animators, and teachers. Prerequisites: THEA 2001, two quarters of any technique, or consent of instructor. Three hrs. lect., 2 hrs. act.
3252
 Dance Through the Ages (4)
The history and evolution of dance from preliterate cultures and ancient civilizations to medieval and Renaissance periods, including anthropological and religious sources. Not open to students with credit for DANC 4200.
3300
 Sex, Race, and Body Politics in Dance (4)
Questions of identity, such as "Who am I?" and "Why can't I?", are explored through examples from the dance world. Focus on groups marginalized because of race, gender, sexual orientation, age, body size, disability, lifestyle. Arts for empowerment.
3330
 The Digital Stage: Dance on Camera (4)
Students direct, perform, shoot, edit and distribute dance and theatre works in digital format. Includes history and aesthetics of dance for the camera; video production, editing, marketing and podcasting of live performance; portfolio development and design. Two hrs. lect., 4 hrs. act.
3426
 Collaborative Dance and Theatre (3)
Collaborative theatre techniques to develop and produce a Spring Concert. Dance, music, and theatre utilized in the production with attention to the development of original score, choreography and text. May be repeated two times for credit, for a maximum of 9 units. One hr. lect., 4 hrs. act.
3451-
3456
 Dance Ensemble A, B, C, D, E, F (3 each)
Dance stylizations and composition. Content varies with instructor; may include improvisation, dance theatre, production problems, etc. Course sequence may be taken in any order. Open to all by audition in any technique course. Concurrent enrollment in Dance Ensemble Technique recommended. 6 hrs. act
3999
 Issues in Dance (4)
Readings, discussion, and research on contemporary and/or significant issues in dance. May be repeated for credit when content varies, for a maximum of 8 units.
4131-4193
 Advanced Dance Technique Courses (2 each)
Advanced or intermediate/advanced dance technique courses. Prerequisites: Previous training at beginning and intermediate levels. Eligibility determined by audition at first class meeting. Each course repeatable once for credit for a maximum of 4 units. Four hrs. act.

4131-2-3 Advanced Hip Hop Dance I, II, III
4135-6-7 Advanced Breakdance I, II, III
4141-2-3 Advanced Modern Dance I, II, III
4171-2-3 Advanced Jazz Dance I, II, III
4191-2-3 Advanced/Intermediate Ballet Dance I, II, III
4201
 Dance in Modern Society (4)
The development of dance from the post-Renaissance period to the present, i.e., modern dance, black dance, men in dance, social dance, musical theatre and avant garde. Social, political, psychological, and spiritual influences.
4900
 Independent Study (1-4)

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